Blues Licks: Chord Shape Turnaround Lick

OK folks, this lick is a bit more difficult than anything I have shown y’all yet, but it’ll be a great addition to your bag of blues tricks.

Lets start off with the video:

And the tab:

|-5-7-5-7-5------------------3-5-3-5-3-----------------|
|-----------7-5-7---5------------------5-3-5---3-------|
|-----------------7---7-5--------------------5---5-3-4-|
|-------------------------7----------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-------------------------|
|--------------------3----|
|--------------------5----|
|-5-5-3-3-2-2-1-1-0--4----|
|--------------------5----|
|-------------------------|

One of the great things about playing the blues is that you can apply pretty much anything and everything you learn, and yes that means you don’t always have to take a pentatonic or blues scale approach. Using other sounds and different approaches will make your playing more interesting. The truth is that if all you play is the blues scale it gets pretty boring pretty fast, both for the player and the listener!

So with this lick, rather than over-analyze it, I see it in terms of the 5th string root barre chord shape. In other word the shape of an open A7 chord, but moved up on the neck to be a D7 chord, and a C7 chord.

The hardest part is probably the hammer-on, pull-off at the the start of the main lick. If you have trouble with that just go slow and steady. Work it with a metronome (you always use your metronome, don’t you?) and slowly increase speed.

In the video I mention that I really don’t know where this lick came from but now I do! I got the idea from something that the Master of the Telecaster, or the Iceman, blues great Albert Collins used to do.

It does seem that if you want to be a great blues guitar player it helps if you your first name is Albert or your last name is King, doesn’t it?

Anyhow, this lick isn’t really what the great Mr. Collins did, but it was inspired by a little trill he sometimes did on the first couple of strings that followed the chord shapes just like this lick does.

It just goes to show you that you can take a little something and change it, build on it, and make it your own to define your own blues sound, One thing that bugs the crap out of me these days is all those digital modeling amps and effects that have presets designed to make you sound like famous players or bands.

Don’t you want to find your own sound? I mean we already have one Eddie Van Halen…god knows we don’t need another!

It’s the same with the blues…copy anyone and everyone, but find your own way of doing things, find your own sound, make it your own.

Steal my licks. Change them. Make them your own. Make them better!

What stories do you have to tell? If you play the blues right you can’t hide…you will reveal your true self to anyone who is listening. If you are passionate it will show. If you are angry it will show, if you are sweet and kind it will show. If you’re a jerk it will show. So let it all hang out…don’t hold back!

Now, go forth and play the blues.

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Blues Licks – Albert King Style!

I just can’t get In Session, featuring Albert King & Stevie Ray Vaughan out of my head, so I thought I would do a post highlighting some of the great blues playing going on in that incredible recording. In fact there is so much there I may do some more posts about it later!

But for now I want to focus on the notes on the top 3 strings of the 2nd pattern of the Minor Pentatonic scale. Here are those notes in the key of G:

|---------6-8-6--------------|
|-----6-8-------8-6----------|
|-5-7---------------7-5------|
|----------------------------|
|----------------------------|
|----------------------------|

Both Stevie Ray and Albert King spend a lot of time playing in that area. It’s amazing what you can do with just a handful of notes, especially when you squeeze and bend those strings! And in the blues the particular notes played carry no more weight than how much soul you put into them. Suffice it to say that both of these great blues guitarists played these few notes with a boatload of soul. Check out the video of Stormy Monday in my previous post: Blues Masters Albert King & Stevie Ray Vaughan In Session.

The first lick I would like to share with you is one that Albert King played all the time. Whenever I think of Albert King I think of this one. It s played at the end of a chorus, it takes the ear to the final V chord at the end of a 12 bar blues:

|--------------|
|---6----------|
|-7---7-5-7----|
|--------------|
|--------------|
|--------------|

(I demonstrate this staple of the Albert King blues sound, and everything else in this post, in the video at the end. Be sure to watch it!)

Next, I want to show you a couple great bends, because what is the blues guitar without bending strings? And Albert Kings blues licks, and SRV too, are filled with tasty bending, squeezing all kinds of emotion from their ‘gitfiddles,’ as Mr. King used to say.

Here are a couple variations on a theme:

|-8b10-6--------6-8b10-6------|
|--------8----8----------8----|
|-----------------------------|
|-----------------------------|
|-----------------------------|
|-----------------------------|

And here’s another cool lick I do in the video:

|---5----------|
|-----7-5-7----|
|-6------------|
|--------------|
|--------------|
|--------------|

There’s a lot of blues you can get out out just a few notes in one area of the guitar, and both Stevie Ray and the iconic Mr. King demonstrate that over and over in the In Session video. Take a look at the video below, and be sure to see my last post on the fantastic In Session DVD.

I look forward to your comments!

Posted in Blues Guitar Lessons, Blues Licks, Blues Riffs, Great Blues Guitarists | Tagged , , , , , , , | Leave a comment

Blues Masters Albert King & Stevie Ray Vaughan In Session



I spent about a decade sitting in the dank, mildewy basement of a neighborhood music store giving lessons to some 40 guitar students per week. My students ranged in age from 7 to 87, and from beginners to quite advanced. I love the guitar, I love learning and teaching, and I loved every minute of sitting in that nasty basement, with a guitar on my lap, imparting what knowledge I had to anyone hungry for it. And I learned a great deal from my students as well.

No matter what style of music my students were interested in I insisted that they learn something about the blues. As far as I’m concerned if you can’t play the blues, well, you can’t play. The blues will help you to grasp the essentials of music. Take 3 chords and five notes and let’s see what you can do with it!

The blues also will teach every aspiring guitarist to play with soul. To play the blues well you have to reach deep down into your soul and have the gumption to lay it out there for all who care to listen. You need to spill your guts right out onto the bandstand, and let the listener examine them in a bright light. I don’t care how fast you can play those scales and arpeggios, you have to have something to say and you have to be brave enough say it.

No two blues guitarists are alike, and no two blues guitarists fearlessly let it all hang out more than the two late greats Albert King and Stevie Ray Vaughan.

On December 6, 1983, the legendary Albert King and up and comer Stevie Ray Vaughan met in a Canadian studio for a show called In Session. The story goes that Albert King wasn’t going to do it because he had no idea who Stevie Ray Vaughan was, but when SRV walked in he was surprised to see “Little Stevie,” the kid who used to follow him around back in the day.

Stevie worshiped Albert King, and as a kid he even had he opportunity to share the stage with him. Listen to Albert King reminiscing about those days in this clip:

I’ve had the cd release of this amazing show for a few years, but recently a great set of the CD and DVD has been released and it is now one of my most prized possessions.

It is so cool to watch the way these to icons interact. I love the way Albert King laughs and smiles when Stevie plays something he really likes, and SRV looks at the master with reverence, he’s like the proverbial pig in, well, you know, sharing the stage with the master and showing just how much he has learned.

I used to tell my students that Albert King had more soul in his little finger than all the guitarists in the music store combined, and there were a lot of guitarists in that store. Well SRV kept right up in that department.

Here’s a clip of them doing the blues classic “Stormy Monday.”

Do yourself a favor and get this! Every blues aficionado should have it!

List Price:$18.98 USD
New From:$9.82 In Stock
Used from:$9.38 In Stock
Release date November 9, 2010.
Posted in Blues Guitar Resources, Great Blues Guitarists | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment